Showing posts with label tutorial. Show all posts
Showing posts with label tutorial. Show all posts

Thursday, April 7, 2016

Tutorial: Fern 'n Bird Stenciled Denim Chair



Originally introduced waaaaay back in 2011, today I'm releasing this pretty Fern 'n Bird Stenciled Denim Chair project as a free tutorial on the blog, yay! In this tutorial, denim from an old pair of jeans is used to re-cover a chair cushion. The denim is simply embellished with freezer-paper stenciling and the outcome is elegantly casual, methinks. Shall we begin?

Fern 'n Bird Stenciled Denim Chair Tutorial

You will need:

  • an old pair of jeans
  • a pair of scissors
  • freezer paper
  • an Exacto knife
  • a cutting surface
  • fabric paint in white and black
  • a blunt paint brush
  • pencil and eraser
  • screw driver
  • industrial stapler
  • sandpaper
  • newspaper
  • iron and ironing board
  • a chair in need of re-upholstering
  • Fern 'n Bird Template ◀︎ click on the link to access the template!

Prepare The Chair

Step 1: Remove the cushion by unscrewing the screws from underneath the seat.


Step 2: Clean the chair with a damp cloth to remove any dirt and grime. If your chair needs painting, proceed as follows, and if not, skip on to Step 4.
Step 3: Working in a ventilated area or outside, sand down the entire chair with fine grit sandpaper to create a rough surface suitable for painting. Again, wipe down the chair with a clean, damp cloth to remove any dust created during sanding. Apply a coat of furniture primer. After the primer dries according to manufacturer's instructions, apply a few coats of latex paint, allowing the paint to dry between coats.

Refer to Young House Love: How to Paint Furniture for more detailed furniture painting instructions.


Prepare The Stencil

Step 4: Adjust the Fern 'n Bird template, sizing it to your needs using a photocopier, or leaving it as is. Trace the design onto freezer-paper. Working on a cutting surface, cut out all the grey areas using an Exacto knife. Keep all the little white bits. These are part of your stencil.


Step 5: Before you cut into your jeans, be sure that the chosen pant leg will fit the width of your chair cushion. Cut the pant leg off leaving plenty of room to reach around all sides of the cushion and a few inches round the back.


Step 6: Place your freezer-paper stencil where you wish it to be on your denim. Be sure that you give it plenty of room on all sides. You want it to be fully visible and not hanging off the edge of your seat, poor bird. Now with your iron set to "no steam", iron the stencil to the denim, plastic side down. Don't forget all the little pieces like the wing, feet, beak, head and eye. Iron everything in place. Try to avoid wrinkles in the freezer-paper like I have. Eesh.


Paint The Design

Step 7: Place a sheet of newspaper under your denim to protect your work surface. Have an extra sheet of newspaper handy for removing excess paint from your brush. Mix a tiny bit of black into some white fabric paint to give a light grey paint. Or start with grey paint if you prefer. If you're mixing paint, make enough to cover your template. You only want to mix it once. Moisten your paintbrush with water. Remove as much of the water as possible. Now load a little bit of paint onto your brush. Brush most of the paint off onto the newspaper. You want your brush almost dry but not quite. Begin applying paint into your stencil, pressing down firmly and moving your brush in small circles as you go. This technique is call "dry brushing". Repeat the process of loading paint onto your brush, unloading most of it onto the newspaper and then painting the stencil, until your stencil is covered and the paint is applied very thinly and evenly over the entire design.


Step 8: Once you're done painting, you can immediately but carefully remove the freezer-paper from the denim. It peels off easily without leaving any residue on the fabric. Finally, heat-set your painted design with the iron. Also if you are so inclined, you can re-use the stencil to make a second matching chair. Just remember to place a thin sheet of paper between the used stencil and your iron (to keep your iron clean) before using the stencil a second time.


Re-cover Your Cushion

Step 9: When I removed the green covering from my chair, the original blue covering was still in ship-shape. I decided to leave it in place and install the denim directly on top. You may not have that option, in which case you'd have to purchase a new foam cushion available in standard sizes at your local fabric shop.


Step 10: To install the denim cover, place the fabric good side down. Place the cushion, cushy side down, in the center of your fabric ensuring that your design is where you want it on the seat. Now, while firmly pulling the denim up, around the edge and to the back of the cushion, install a staple at the middle top edge of the cushion back. Continue in this way with the middle bottom, middle left and middle right of the back of your cushion, firmly pulling on the edge of the denim with each new staple. Keeping the denim taught at all times, place a staple in one corner, then the opposite corner, and then the remaining corners. Now fill in the gaps with staples.


Step 11: To get a smooth finish on the corners, many staples will need to be installed. Trim the excess denim to give the seat a clean look.


Step 12: Finally, place the cushion on the chair and re-install the screws.



Your work here is done, baby!


Now, grab a tall, cool one and take a load off on your pretty new Fern 'n Bird embellished chair!

♥︎M

P. S. Guess what? I finally joined Pinterest (just a few tiny weeks ago) so I'm pinning this project to my "Denim Forever!" Pinterest board. Check it!

Thursday, March 17, 2016

Kid Craft: Egg Carton Window GardenTutorial

Egg carton kid craft Window Garden tutorial by Michele Made Me for Burnbrae Farms

Smiles and salutations!

As you know from the last post and many many before that too, I have always had an insatiable appetite for egg carton crafts. The year 2015 was no different because around this time last spring, I had the pleasure of working with Burnbrae Farms - the egg company - on a couple of egg carton crafts for their spring newsletter. Remember the strangely eclectic Rabbit Wall Bust? Yeah, me too. Well, I thought it was high time I share the other, more kid-friendly, craft I made for them too.

Visit the whole step-by-step tutorial over at Burnbrae Farms Blog ☛ The Egg Carton Window Garden!

♥︎M

Thursday, July 4, 2013

You Guest It: The Bushcrafter

Today's "You Guest It" features one of those crafts that makes you go: "That's AWE-SOME!" In fact, I believe those exact words fell out of my mouth when I first laid eyes on it. So let us not dilly dally. Let us get to it, shall we? Coming to you all the way from Sweden, welcome the talented Jenny a.k.a. The Bushcrafter!
***


Hi!

My name is Jenny. I'm so glad to be a part of this wonderful "You Guest It" series that Michele has set up for us all to enjoy. I am a textile crafter and I call myself "The Bushcrafter". I am a soul-centered creator and also an artist and teacher. In me, I have some sort of fabric spirit who wants, pretty much, nothing else but to create. So I let it.

You know. Let spirit be what spirit is.

I would say we are all crafters. In one way, or another. When I'm faced with a problem, I try to solve it by using what I have. That's crafting for me. I enjoy melding crafting and recycling together, making the ordinary into beauty. Today I'm sharing how to embellish your egg carton with cross stitch. In this project we are using the whole egg carton and adding the sparkle with threads and colour.

With a few easy steps you can create your own beautiful box. Embroidering on an egg carton is easy-peasy, just follow these instructions.



For this project you will need:

1. An egg carton
2. Needle
3. Thread

Peel off any stickers from the egg carton. If you have print on the carton, you could try to painting the top.

Draw a pattern on a piece of paper. Place the paper on the box and push the pin all the way through in all corners.


Start sewing the first colour:


Until it looks like this:


You can embroider the sides of the carton too if you want.


Voila! You are done. You can now use it to keep your favorite things safe.

Here I store my pastel threads. You might want to use it for your jewelery or your buttons. It´s your choice!


***
You must admit that this is great, right? I mean the combination of recycling and crafting alone makes me want to do a jig. But the embroidery? On an egg carton? Well, that sends me head-long into a cha cha cha!

Other creations by Jenny "The Bushcrafter" that I recommend you not miss:
And while you're at it, pop into her shop because some of these beauties are actually available for purchase there.

Thank you Jenny for letting me showcase your beautiful work on the blog today. What a true pleasure this has been for me!

♥M

P.S. Have an idea for an eco-craft? Submit a guest-post idea to Michele Made Me's "You Guest It"! Find those details HERE.

Sunday, June 30, 2013

Scrap Challenge Entry: Lily Bowl and Plate Tutorial


It is that auspicious day!

Today I must submit my entry for the all-Canadian Fabric Spot Scrap Challenge to Rachel over at Stitched in Color. And if you were wondering what mysterious thing I was making the other day, wonder no more! Here it is just under the wire... I'm going to call it "The Scrappy Lily Bowl and Plate"... I think that works as a name, don't you?



Um, so let me think... The rules, if you recall, were: (1) to use some portion of the eight fabric scraps provided in the bundle and one more fabric if we liked, and (2) to have the thing ready by today. So check and check, if you please!


Each of them - both the lily bowl and the lily plate - use all eight fabrics. If you've ever made a Dresden plate block, you'll notice that this is a slightly modified, 3-dimensional version of it. Here's the simple step-by-step just for you!

Tutorial:  Scrappy Lily Bowl and Plate


You will need: 
  • several fabric scraps
  • batting and/or interfacing (I used what I had around but a lovely medium-weight interfacing might work just as well)
  • matching thread
  • needle
  • templates and paper
  • scissors or rotary cutter
  • cutting mat
  • sewing machine (with regular presser foot)
  • straight pins

Note: I'm showing you how to make the plate but the bowl is created in exactly the same way.

Step 1: Download the templates available HERE. Cut them out. Cut 2 paper versions of Template 3 (hexagons). Note: Don't mix and match the plate and bowl templates or you'll wind up with some wonked-out bowls.
Step 2: Cut out the fabric and batting/interfacing as shown in the following photo. For the two fabric hexagons, add roughly 1/4" (6mm) of fabric all around the edge of the template before cutting.

Step 3:

For both sets of six Template 1 fabric pieces, do the following: (1) Take a piece. (2) Fold it in half along the length, right sides together. (3) Machine-sew along the top straight edge. (4) Flip the raw edges in. (5) Press the seam down so that it is aligned with the middle of the piece as shown.

(6) Now with only six of the Template 1 fabric pieces, place a Template 2 batting or interfacing piece snug inside each.

The six batting-filled pieces with make the inside of the plate/bowl, while the other pieces will be the outside.

Step 4: Once you've prepared all six batting-filled pieces, sew them right-sides together along a raw side edge, two at a time.

Step 5: In this project's case, I have back-tacked at the top edge of my stitching line to reinforce that top joint.

Note: Whenever possible, I like to save time and thread by chain-stitching pairs of items together.


Step 6: Continue joining all six batting-filled pieces until you've got a pretty star. Repeat steps 4 and 5 for the six non-batting-filled pieces to create a second star. Press the seams flat to avoid too much bulk in your bowl or plate. It helps to finger-press the seams open first before running the iron over them. You'll notice the 3-D-ness of the plate/bowl coming alive now!

Step 7: Stack the two stars wrong-sides together. Align their edges and pin.

Step 8: Hand stitch around the perimeter with a whipstitch.





Step 9: Here I added a few lines of echo-quilting around the perimeter of the plate/bowl. I used my regular presser foot for this.


Step 10:

Prepare the two fabric hexagon centers: one for the inside of the bowl/plate and one for the outside.

HERE's a beautiful demonstration of how-to prepare hexagons by Sunshine's Creations. Follow the first 10 photos in the matrix only for the two hexagons you'll need for your plate and bowl.

Take one of the two fabric hexagons (the one you're using for the outside of the plate or bowl) and after pressing it with your iron, remove the thread and paper from the hexagon. Nestle the batting hexagon inside the fabric hexagon and re-fold the fabric edges over the batting.

Step 11: Place the batting-filled hexagon on the bottom of the plate/bowl and hand-stitch it in place.   Repeat Step 11 for the second hexagon, stitching it to the inside bottom of the plate/bowl. I tried my very best to align the points of the hexagon with the seams in the plate/bowl.

Are we done yet? YES. Yes, indeed we are, we are! We have plate-age and/or bowl-age! Wahoot, baby!

And how pretty and scrappy they are. Perfect for storing some of those slippery craft supplies or - in my husband's case - the contents of the bottomless pits known as his pockets.

Thank you so much to Karen from Fabric Spot for sponsoring this all-Canadian crafty scrappy challenge, and to Rachel from Stitched in Color for hosting it! I had some good times over the last week creating my little entry and I just just cannot wait to see what my comrades, Laura from Waffle Kisses, Carla from My 1/2 Dozen Daily, and Patti from Retired to Quilt have made! Eep, so excited!

Happy happy Canada Day to you!




♥M

Thursday, June 6, 2013

You Guest It: Hectanooga

Welcome welcome! It's time for You Guest It! I just love this sweet series, you know? And not just because I get to be all lazy and slothful either - but also because I get to meet some really cool folks who make some pretty neat stuff. And then of course, there's the part where I get to share it all with you. That's pretty nifty too! 

Today's guest is Emi from Hectanooga. Let us see what this seriously busy woman has in store for us today...

***

Video Tutorial: Stacked Paper Bead Necklace by Hectanooga


Hello! My name is Emi from Hectanooga and I’m passionate about crafting, designing, and recycling! And when I can do all three at the same time, I’m very happy! These stacked paper beads were inspired by a necklace I saw someone wearing on television. The necklace was similar in design - it was black metal - and I immediately thought: “Hey, I bet I could make that from paper!” These beads would look lovely painted black as well, but the print is a great conversation starter, and painting them would hide their origin!

Want to know how I make them? Here's the video that shows you how. Enjoy!


There are several reasons why I like to recycle. Here are a few:
  1. Supplies are readily available, and there's no wasting gas going out to buy supplies! 
  2. It’s free. No expense for the supplies themselves! 
  3. It’s green. Making something useful from throw-aways is always a good thing! 
  4. It’s a challenge. Thinking up ways to use these things is always fun! 
  5. Middle-of-the-night crafting is possible. You can always find something to manipulate into something else! 
  6. It’s eco-friendly. It keeps things out of the land-fill. 
  7. It’s very rewarding! Making something from virtually nothing is a thrill!
    ***
    Such a simple and pretty concept, Emi. Your choice to leave them au naturel is lovely too, and what a nice complement for the black beads! Thanks so much for joining me on the blog today and sharing your tutorial with us. 

     As I mentioned up top, Emi is a do-er and a dedicated one at that. Her specialties include crochet, jewelry-making, and recycling - a woman after my own heart, eh? I don't like to compare myself to others but, honestly, I'm feeling somewhat sheepish in comparison. Not only does she have a blog, and three Etsy shops (Hectanooga, M.E.H. Art Gallery and Hat and Scarf Patterns), but her Hectanooga YouTube site boasts... you won't believe this... 595 videos. That's 5-9-5! Is that not amazing? I thought I was doing well with 3. I have some serious catching up to do apparently. So go on now and pay her a visit, won't you? I'll see you back here in 3 years.

    ♥M

    P.S. Have an idea for an eco-craft? Consider submitting a guest-post idea to Michele Made Me's "You Guest It"! Check out the details HERE.

    Wednesday, May 15, 2013

    Video Tutorial: Egg Carton Gift Bow


    Hi there.

    How've you been?

    Me?

    Oh good.

    I took a bloggy break there eh? I've literally been away from this little place for a whole seven days... It went by like the wind. Been busy. I'm riding a learning curve the last little while. Learning all kinds of good stuff. Over the last week I've been focussing on video editing. In the not-too-distant future, my hope is to offer a mini-online class. The ability to edit video will go a long way in making that a reality, so I've been practicing practicing practicing like a little fiend.

    Below is my very first 100%-Michele-made video! (Lo pretty much edited the first two. I pretty much just plied him with coffee...) This time, though, it was ALL me. Granted, it's not as polished as a Lo-made video, but you know what? That's okay. I'm a beginner right? Stephen Spielberg needn't fear for his job just yet. Still, I'm pleased with my maiden effort. The notion that I have the skills (sorta) to make a movie from start to finish is a little bit exhilarating, you know? Movies! I can make movies!!!

    Anyway, blabber blabber blabber... Just show the darn video Michele.

    Okay, okay. Here it is: My "Egg Carton Gift Bow Video Tutorial"!


    Kinda similar to the last video, eh? I'm making a gift bow video series apparently, tee hee. If you're fond of recycled gift bow ideas there are a few more here, here and here. For a slew of other egg carton crafts, click here.


    Have a lovely day now, won't you? See you in two shakes...

    ♥M

    Thursday, May 2, 2013

    You Guest It: Craftypod's Sister Diane


    It's the first Thursday of the month and you know what that means, don't ya? Right. "You Guest It", a post that is created just for you by a wonderfully crafty human that isn't me. Today's offering comes to you courtesy of the unstoppable Sister Diane Gilleland of the Craftypod. Take it away Diane!
    ***

    New Life for Old Quilt Blocks: The Octagon Tote

    VQB-tote-finished3

    Hi, everyone! It's so cool to be hanging out with you today on one of my very favorite blogs. I'll try to do justice to Michele's recycling genius by sharing one of my favorite upcycled sewing projects ever.

    VQB-tote-blocks

    The whole thing started when I found a stack of quilt blocks at a thrift shop – the product of someone having taken a seam ripper to a pretty groovy old pinwheel quilt. These blocks were full of nifty vintage fabrics, sun-faded to the prettiest mellow colors. I snapped them up with grand plans to return them to quilt form.

    Well… rookie mistake. I didn't notice until I got them home, but many of the blocks had been torn right along the seam line when they were taken apart. So, I couldn't simply sew them back together. Then I thought I'd just cut them down to a smaller size and add some sashing. That's when I discovered that the piecing was just inconsistent enough that cutting the blocks down only made them look very wonky.

    Sigh. I put the whole mess in my stash. Four years went by. You know how that goes.

    VQB-tote-patches

    Anyway, during that time, I got interested in English paper piecing, which you've seen in action with Michele's beautiful hexie quilt. It finally occurred to me that maybe I could use this technique with my blocks. Since the pinwheel design of the block has eight sections, I thought an octagon shape might just fit the bill.

    VQB-tote-finished2

    And you know what? It did! So here's how I rescued my quilt blocks and turned them into two pretty tote bags (and enough left over for coasters).


    VQB-Diagram

    The Plan

    I didn't get too crazy with the measuring when I designed my tote. I knew I could get octagons measuring 4 ¼" across out of my quilt blocks, so I worked from that.

    I decided that nine octagons this size would make a reasonable-sized tote panel, and I decided that, once I'd pieced together the octagon parts, I'd add some strips of solid fabric around the edges. So I used ¾ yard of solid to flesh out the rest of the tote's outside, and ¾ yard of a thrift-store sheet I had in stash for lining.

    My finished totes measure 15" x 15", with 25" long handles. But the beauty of this kind of project is that you can end up with any size and shape you like.

    VQB-tote-supplies

    Part 1: Make the Octagon Patches

    If you've never English paper pieced before, there are so many good tutorials online. My all-time favorite is this one from Sunshine's Creations.

    I used freezer paper to make my octagons because I wanted to be very sure the paper wouldn't move while I was basting the fabric to it. So I drew an octagon using a drawing program on my computer (Google Drive's Drawing tool is a dandy free option). I printed two of them onto card stock, cut them out, and cut one of them precisely in half. (I'll explain why in a moment.)

    VQB-tote-tracing

    Then I traced the octagon onto the dull side of the freezer paper 18 times (I needed nine octagons for each side of my tote). I used that half-octagon to trace myself some registration lines across the middle of each octagon in both directions. Then I carefully cut them all out.

    VQB-Composite-1-2

    Next, I placed the freezer paper over the wrong side of the fabric, shiny side down, and I used those registration lines to match up with the seams in the quilt block. (Not every block was a perfect match, but those lines helped me get very close.) I pressed the paper with a hot iron, which lightly fused it to the back of the block. Now I was ready to baste!

    VQB-tote-3

    From this point, making octagons is a lot like making hexagons. I trimmed the quilt block to a generous 3/8" outside the edges of the paper. Then I threaded a needle with some contrasting thread, so my basting stitches would be easy to see and remove later.

    VQB-Composite-5-6

    Here's how I baste a patch this size: I start by taking a large-ish stitch in the middle of one side, sewing through both the paper and fabric. Then, I fold the next side down over that one, and I take a little tack stitch, just through the fabric at the fold point. I alternate those two stitches as I make my way around the octagon.

    VQB-tote-8

    When I get back to where I started, I leave a couple inches of thread hanging from my last stitch, but I don't tie a knot. Your basting will stay in place just fine with this method, and be much easier to remove later. (You can see this whole process in action in this video of mine.)

    VQB-tote-13

    Part 2: Making Square and Triangle Patches

    Unlike hexies, octagons don't fit perfectly together – they leave little square spaces in between! So I cut some more card stock shapes to fill in those spots. For each side of my tote, I needed nine 1 ¾" squares. Four of them I left as-is. I cut four more in half on the diagonal, making eight triangles. And to fill in the very corners, I cut one last square into quarters on both diagonals.

    VQB-Composite-9-12

    I basted my solid fabric to these shapes. To do this basting, you can either pin or lightly glue the card stock to the wrong side of the fabric. (Have you ever tried using glue stick for English paper piecing? Hoo, boy is it dandy. You just use a tiny dash, so it doesn't damage the fabric at all. And you never get stuck by pins!)

    Anyway. I basted these patches through both the card stock and fabric, just using large stitches to hold down the points where I folded one side over the other. Since the pieces are so small, you won't need more than one stitch at each edge.

    VQB-tote-16

    Part 3: Sewing Stuff Together

    The thing I love about English paper piecing is that you can sew a whole bunch of shapes together like this, and get very precise corners with little effort. Here, I sewed my octagons and squares together first, and then added the triangles at the sides and corners.

    VQB-Composite-14-15

    I like to sew my patches together with a whip stitch. It's just a matter of lining up the edges you want to sew together (right sides facing), making sure their end points match up. Then, take very tiny stitches; just a few threads from the edge of each patch. Make sure you sew all the way from one end to the other – don't leave any gaps at the ends! (Sunshine's tutorial covers the basics of whip stitch nicely.)

    If your stitches are tiny, then you won't see them at all on the right side of the fabric. If you are seeing stitches on the right side, try a smaller needle and smaller stitches.

    VQB-tote-17

    Part 4: Finishing

    Once I'd sewn all my patchwork together, it formed two big blocks. I gave each one a good pressing – papers and all. I pressed a whole lot around the outer edges of the blocks, because I knew I'd need sharp creases there (more on that in a moment).

    Then, I carefully removed all the basting stitches and papers. That's my favorite part of English paper piecing, incidentally – when this stiff, crackly thing transforms into beautiful flowing patchwork.

    VQB-Composite-18-19

    Now, in order to sew anything accurately to these patchwork blocks, I needed to square them. Here's where I used those sharp creases I was pressing around the outer edges.

    I carefully opened out the folds along one edge of the patchwork, but I didn't press them. The crease that runs along this edge is my seam line, and I need an accurate ¼" seam allowance extending from that.

    So, I used a ¼" line on my quilting ruler and lined it up with the crease, making sure it lined up both at the top and bottom of the block. (This being hand sewing, there are always a couple places where the alignment's slightly off, but you can aim for the closest possible overall alignment and it'll work just fine.) When I had the whole edge lining up with that ¼" line, I used a rotary cutter to trim away any excess fabric bits. Then I pressed the edge out flat before sewing. I did the same thing on all four edges of my blocks.

    VQB-tote-20

    From there, I machine-sewed solid strips to to all four edges of the patchwork. I used 3" wide strips at the bottom and sides, and a 1 ½" wide strip at the top. (That extra width at the bottom and sides allows the tote to have some depth while keeping the patchwork centered on each side.) I made two panels like this; one for the tote front and one for the back.

    VQB-tote-21

    …And then I gave the panels a bit of reinforcement. Let's face it, vintage quilt blocks are somewhat delicate, so I didn't want any of those old seams carrying the weight of my library books and farmer's market produce!

    I cut two pieces of lightweight canvas the same size as the tote panels, and then pinned one to the wrong side of each panel. I used a walking foot on my sewing machine to stitch some simple quilting lines over the surface to hold the layers together.

    From there, I used my favorite-ever tote tutorial from Skip to My Lou to make up the rest of the bag.

    VQB-Composite-finished

    ***
    You see that? It was wise to keep those old quilt blocks around for all those years after all. I just love that she's repurposed them into these extra pretty patchwork totes. It is such a great way to highlight their simple beauty. Note to self: Keep eyes peeled for yummy old quilt blocks.

    Now where do I start with Sister Diane? Wow, there's a question and a half.

    Well... Diane is a Renaissance woman if ever there was one. She is not only a talented crafter, no no. That does not even begin to scratch her surface. She is also an author of books. "Kanzashi in Bloom" springs to mind, "Quilting Happiness" is due out in late summer, AND she's written ebooks of both the crafty and bloggy varieties. Diane is a teacher. She has an online class coming up in June called "Getting Started Craft Blogging". And as someone who has taken a number of her classes, I can tell you that she is super-knowledgeable, extra thorough, and darned sweet. Plus, she's been a blogger forever, so she knows stuff. Diane is a thinker. This month on the Craftypod, she'll be exploring the idea of "Your Actual Audience" and trying to help pinpoint who out there is really paying attention to you as a blogger/business person. Seriously. I could go on all day. But my point is this. Just check her out. You can thank me later. I'm not going anywhere.

    Dear Diane, thank you so much for the gorgeous post. I'm feeling pretty darn blessed right now, you know that? Massive cyber-hugs from me to you!

    ♥M


    P.S. Have an idea for an eco-craft? Seeking a new audience? Consider submitting a guest-post idea to Michele Made Me's "You Guest It"! Get all the details HERE.

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